“Paik wanted to build an anthropomorphic robot, because he was fascinated by the scientists’ discovery that the human brain had begun to grow after man stopped walking on all fours and had to figure out what to do with his two ‘free’ hands.”
– Wulf Herzogenrath, Hayward Gallery 1988 exhibition catalogue “Nam June Paik Video Works 1963-88”
Dieter Ronte – Nam June Paik’s Early Works in Vienna (1982). Originally printed the catalog of the Whitney Museum “Nam June Paik” show: Nam June Paik by Nam June Paik , John G. Hanhardt, Whitney Museum of American Art Staff, ISBN 0874270375 (0-87427-037-5), Hardcover, Whitney Museum of American Art (1982).
– Lies are Always More Exciting than the Truth – Nam June Paik’s Futuristic Traditionalism by Dr. Thomas Kellein.
Hans Günter Golinski:
Susanne Rennert – I liked it
Larson & Margaret
An increased liberalism in the definition of ‘fact’ can have grave repercussions, while the idea that truth is concealed and even perverted by the processes that are meant to establish it makes excellent sense.Paul Feyerabend, Against Method (1975)
The role of the artist is exactly the same as the role of the lover. If I love you, I have to make you conscious of the things you don’t see.James Baldwin
Prometheus Brings Fire to Mankind
Alvin Boyarsky, Chicago à la Carte: The City as Energy System
Special issue of Architectural Design, December 1970
The concept of the city as organism emerged during the 1960s as a response to the increasingly complex interconnections of technology, communication, and history. One exceptional project in this vein was the British architect Alvin Boyarsky’s Chicago à la Carte. Boyarsky drew on an archive of historical postcards, newspaper clippings, and printed ephemera to trace a hidden history of Chicago’s built environment as an “energy system.” This idea was represented on the cover by a striking postcard image of a vivisection of State Street in the Loop, showing subway tunnels, sidewalks, El tracks, and skyscrapers in what Boyarsky described as “the tumultuous, active, mobile, and everywhere dynamic centre of a vast distribution system.” On other pages, Boyarsky showed images of Chicago’s newly built skyscrapers with newspaper clippings of recent political protests to juxtapose the city’s reaction to recent political protests against the disciplinary tradition of modern architecture in Chicago.