“Paik wanted to build an anthropomorphic robot, because he was fascinated by the scientists’ discovery that the human brain had begun to grow after man stopped walking on all fours and had to figure out what to do with his two ‘free’ hands.”
– Wulf Herzogenrath, Hayward Gallery 1988 exhibition catalogue “Nam June Paik Video Works 1963-88″
Dieter Ronte – Nam June Paik’s Early Works in Vienna (1982). Originally printed the catalog of the Whitney Museum “Nam June Paik” show: Nam June Paik by Nam June Paik , John G. Hanhardt, Whitney Museum of American Art Staff, ISBN 0874270375 (0-87427-037-5), Hardcover, Whitney Museum of American Art (1982).
– Lies are Always More Exciting than the Truth – Nam June Paik’s Futuristic Traditionalism by Dr. Thomas Kellein.
Hans Günter Golinski:
Susanne Rennert – I liked it
the world is in beta (Price Waterhouse Cooper)
The power to guess the unseen from the seen, to trace the implication of things, to judge the whole piece by the pattern, the condition of feeling life, in general, so completely that you are well on your way to knowing any particular corner of it — this cluster of gifts may almost be said to constitute experience, and they occur in country and in town, and in the most differing stages of education. If experience consists of impressions, it may be said that impressions are experience, just as (have we not seen it?) they are the very air we breathe. Therefore, if I should certainly say to a novice, “Write from experience, and experience only,” I should feel that this was a rather tantalizing monition if I were not careful immediately to add, “Try to be one of the people on whom nothing is lost!” — Henry James