“Paik wanted to build an anthropomorphic robot, because he was fascinated by the scientists’ discovery that the human brain had begun to grow after man stopped walking on all fours and had to figure out what to do with his two ‘free’ hands.”
- Wulf Herzogenrath, Hayward Gallery 1988 exhibition catalogue “Nam June Paik Video Works 1963-88″
Dieter Ronte – Nam June Paik’s Early Works in Vienna (1982). Originally printed the catalog of the Whitney Museum “Nam June Paik” show: Nam June Paik by Nam June Paik , John G. Hanhardt, Whitney Museum of American Art Staff, ISBN 0874270375 (0-87427-037-5), Hardcover, Whitney Museum of American Art (1982).
- Lies are Always More Exciting than the Truth – Nam June Paik’s Futuristic Traditionalism by Dr. Thomas Kellein.
Hans Günter Golinski:
Susanne Rennert – I liked it
"Increase in efficiency due to practice"
Alasdair Grey — Unlikely Stories Mostly (1997)
Time Saving Truth from Falsehood and Envy (completed on the day before the artist’s suicide in Paris, 1737, by stabbing himself)
There seems to be a constant decay of all our ideas; even of those which are struck deepest, and in minds the most retentive, so that if they be not sometimes renewed by repeated exercises of the senses, or reflection on those kinds of objects which at first occasioned them, the print wears out, and at last there remains nothing to be seen.Locke—Human Understanding. Bk. II. Ch. 10.