Category Archives: ideas

Cacography or Communication? Cultural Techniques in German Media Studies – Bernhard Sieger (2007)

Cacography or Communication? Cultural Techniques in German Media Studies

Assessing the Situation

Ernst Cassirer

  • “The critique of rea- son becomes a critique of culture” becomes ““The critique of reason becomes a critique of media.”
  • “a rewriting of cultural history as a history of media”
    • results in epochs, with a ‘leitmedien’ – guiding media – books, letter, tv, computer
    • results in heroes – Gutenberg, Edison, Turing

Media history versus media archeology

  • media science of Kassel
  • a history of the soul and senses (instead of through psychology and aesthetics) through media
  • Karl Knies & Gustav Schottle
  • George Prescott’s history of the telephone / photograph (1887)
  • John Ambrose Fleming history of the radio tube (1919)
  • insights through these histories were ‘beyond the reach of the hermeneutic study of texts’

Cultural Techniques

  • “cultural techniques are always older than the concepts that are generated from them” (Thomas Macho, “Zeit und Zahl: Kalender- und Zeitrechnung als Kulturtechniken”)
  • “reading writing and counting are physical rather than mental techniques” (Stieger) – “body techniques” (Mauss)
  • culture = colere and cultura = practical cultivation of the land
  • “Man does not exist independently of cultural techniques of hominization, time does not exist independently of cultural techniques for calculating and measuring time; space does not exist independently of cul- tural techniques for surveying and administering space; and so on.” – entanglement, situatedness, always-ever-mediated
  • Kehre – media anthropological turn
  • can we see cultural techniques as extensions of Mauss’ body techniques?  Perhaps not – e.g.: cooking (Levi Strauss’ quintessential body technique) in a pot cannot be seen as a functional extension, as you can’t cook without some kind of vessel. “You cannot boil anything in a hollow hand without losing your hand in the process.”  Nature and culture are functionally articulated by cooking.

 

lectics

monolectics

  • dogmatism, facism, unquestioned idealism?

dialectics

  • Plato and the Socratic dialogues
  • Hegel and dialectics
    • ascribed triad terminology to Kant - thesis, antithesis and synthesis
    • developed a historical account of progress through dialectics

trialectics

polylectics

related

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Foucault and the Spatialization of Time / Adorno and Atopia

Heterotopia and autotopia are palimsets

Magritte didn’t consider himself as a painter

Foucault – This Is Not a Pipe (1968)

Lots of criticism – structuralist and hostorians…

Heterotopia is where new relations arise because of our societal norms being suspended (Utopias are deeply boring)

Magritte and Foucault – I am restoring flaws… Episteme – the accepted way of thinking (e.g.: systems of classification)

Symbols are not linked to objects. Western art attempting to identify the image with the model that represents it (trompe leui, perspective)

Caligram – a handwritten message

The fragmentation of meaning in Ceci nest pas in pipe… Closely related to foucaults critique of language

Foucault – Klee Kandinsky Magritte

Klee – intersection of eepesentation by sign and image

Kandinsky – color

Magritte – complimentary to both Klee and kandinsky

The analytical language of John wilkens. Borges. Animals from a Chinese dictionary. From a long way off look like flies…

Bianca jagger – Borges

Art as Heterotopia

-—-—-

Adornos atopianism

Socrates – atopotatos – atopian – develop the notion. Moore invented the word utopian in the 16th century…

Adorno – teddy / Corsican – unfairly criticised by hannah Arendt. Shaved of his Jewishness like a beard.

Notes to literature. The insertion of foreign words as a way of pointing out how language imprisons us.

Eirnini Nedelkopoulou at SEP – 2011 sept 02

Body and technology

Chiasm – disrupting definitive boundaries

EfficAcy of mixed media -

Copeland – Nick Kay

Dominance of two aesthetics – two ontologically discrete practices – the unrepeatabiloty of the event – liveness

Auslander challenges that liveness is created by the mediated

Technology is a perspective entity that contributes to the way that we touch feel in augmented reality space – phenomenology facilitates a discussion of the obvious

The body not considered as an object

Zummer – 2011 Aug 20

Louis Althusser

How things get

Apparatus – dispositif – geschtel

Reducto absurdum

Ideological dispositif – the cinematic apparatus

Re-reading

Schreber – Memoirs of My Serious Illness – who do we take seriously  the citation versus the original

Baudrillard – The Precession of Simulacra – Eclisiastes

DeCerteau – heretotopic – accomplish an appropriation

Dekiriko – painting as self plagiarism

Derrida – telepathy

Heidegger – technology and placement – the question concerning technology

Luis Bunuel’s – man without bread – toad to toad shot (

Fata Morgana

benevenist’s deixus spatiotemporal location

the way that a representation lways eferences itself -

apophetic content

joe+maludice+triple+canopy+issue+11+quididity

the disparity betwene the apophantic and the epiphantic

Leslie Thornton – 2011 aug 3

Leslie Thornton

Senses of Cinema article

Peggy and Fred in Hell

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The pitch most people prefer for the female voice is about A flat below middle C

The pitch most people prefer for the male voice is around low C

All sound from Polanski’s The Tenant (1976)

The collapse of the wall – August Lumiere – reversing the fall of a wall

materials of conterculture in art and technology

characteristics of wester art:

  • repeatability
  • permanence
  • provenance
  • etc…

materialities of technology countering these:

  • the for loop – infinite repeatability
  • the while loop – in-finitude
  • the if statement – conditionality
  • the CPU
  • etc…

?+?=??

“A photograph showing him as a child in Korean dress with his father is juxtaposed to photographs of the glamorous Jacqueline Kennedy Onassis, like Paik born
on July 20, of the German resistance fighter Claus Graf Schenk von Stauffenberg, executed on July 20, 1944, and a fourth illustration documenting the American landing on the moon on July 20, 1969 (Neil Armstrong: “That’s one small step for a man; one giant leap for mankind”). Four pseudo-mathematical equations with question marks (for example ?+? = ??) are placed as ironic, enigmatic commentaries to these historically significant photographs.”

- Susanne Rennert, On Nam June Paiks Works in the Peter Wenzel Collection

The enigmatic mathematical symbols used for the main logo image of Nam June Paik Art Center are derived from the numerical expression that Paik used in an article for the magazine De/collage No.3 in 1963 and re-used commemorating his 54th birthday. They represent Paik’s rich imagination and unique sense of humor. The logo image shows that when a question is reversed and transformed into a new question, endless transformations and recurrences take place: it incorporates the identity of Nam June Paik Art Center aiming to be an experimental space that doesn’t cease to question established answers.

- Museum Identity - http://www.njpartcenter.kr/en/about/mission.asp

Paik nam june 1932 2006 korea july 20

NJP ARTCENTER MI

 

Swatch Zapping by NJP

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Nam June Paik has died. The Korean-born, celebrated video artist Nam June Paik died on 29-JAN at the age of 74 in Miami, USA.  In 1996, he designed the nice artist special Zapping (SKZ104) for Swatch. Here is more information about his life.  At the Swatch Wristory auction in New York City on 3-DEC-2001, a signed Zapping swatch in special packaging was sold as Lot no. 16 for $5000 US.  After Jean-Michel Folon and Mimmo Rotella, he is the third well-known swatch artist who has died in recent weeks :-(

In order to promote this watch, the first ever online game called Swatch net.hunt is initiated starting April 1, 1996.

Time and Space Concepts in Music and Visual Art

Merce Cunningham, Nam June Paik, John Cage (1978)

Paik:

  • “All profound things have been spoken, so I will speak something vulgar.”
  • “Only in artist, art and heavyweight boxing, you have to be top five to pay your rent.  And in heavyweight boxing you always know who wins.  Although it can be fixed, but not as easily as in the art world.”
  • “Key quesiton of our society is human time and machine time.  Why happens the car accident… The engine is faster than break… So we have to think of machine time.”
  • “Video tape has sequential access, books are random access.  That’s why books are still the most advance technology…”
  • “What is time – past, present, future.  You can measure past, you can measure future – you cannot measure ‘now.”
  • “Nobody has the guts to make music as bad as John Cage”