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Author Archives: jamie
a list of people who call themselves artists (systems aestheticians)
April 10, 2011 – 1:27 pm
figgis – 2010 aug 22
August 22, 2010 – 8:23 am
cameras
- lieca was inveted to test movie stock
- walkman – story about a technician in the cassette factory
- 35 mm is the way we see the world
- negative
-
film example
- platoon
- pd100 – wouldn’t work – depth of field is too great
- greg tollen – citizen cane
- ASA ISO – 400, 800, 5000… the film’s sensitivity tran
timecode
- restrictions on legal – have to specify a DOP – have to have a story credit
- timing timing timing…
discussion
- lacie mutimedia drive
- just dancing around – william forsythe documentary
critchley – 2010 aug 21 (evening)
August 21, 2010 – 7:02 pm
Macianism – the evil god that created the world
The order of redemption and life
Succession – tiqqun – agamben law from life
Killing a man in defense of an idea is not the defense of an idea – it is killing a man.
Invisible committee
Actions at the new school – war criminal Kerry – marcusian
Different resistance strategies… Resonance – a resonating body influencing another body
John Gray carl Schmidt barrack Obama – the way things are – utopian impulse – the break of the event
The political miraculous – sovereignty bataille
Violence:
Acts of violence – a history of violence – a double act between human subjects in a repotition effect. A loop – eg.: colonlialism – franz fanah the wretched of the earth
Violenece is the absolute praxis
Killing a European is killing two birds with one stone
Sartre… Hannah Arendt – the faculty of action in the modern world -
Nonviolence is an attempt to solve around the table
Sartre – passiveness puts u on the side of the oppressed
Non violent warfare – graver
Benjamin the critique of violence – though shalt not kill – guideline of non violence – a plum line for action…
Levinas – violence as necessary but never forgiven
Jacob blumenfeld -
Sds TI the weather underground
Infinitely demanding – infinite in the sense of finding something in the situation which exceeds it’s limits. The politics of accommodation – transactional
Resurfacing of r d Lang – anti psychiatric us – millennialism – Judith butlers reading of Benjamin – anarchism – non violent violence
Reenactment – the Renaissance was a reenactment – the history if politics is a
Norman Cohen – John Gray – the pursuit of the millennium – forms of erotic radicalism – the heresy of the free spirit
Marx critique by bacunian – zizek is in love with the state
Zitgeist – designer city
Post human politics – beckett asked about happiness ” sounds nice but not for us”
Gins and harakawa – denial of death
“Revolution is a tigers leap into the past”
figgis – 2010 aug 21
August 21, 2010 – 8:13 am
figgis on philosophy
- the idea of aesthetics as a deeply profound – translating a “universal truth”
- time to learn – properly – philosophy
- visual imagery – sound imagery
- relationships with others – relationships with yourself
-
is it the role of the filmmaker to bring philosophy to the masses?
- arrogance?
- “perhaps its ok to be arrogant?”
- “the great unwashed” – overheard in LA
- contradictions…?
- lowbrow / highbrow
- ensemble production – e.g.: film – as a ‘total form’ – deleuze
- LA life – air-conditioned car to air-conditioned studio – heist of cars at studio lot
three act structure
- the three act structure – character arc
- Robert McKee
- business models
- marx brothers meets king lear, etc.
- richard gear – claims to have fucked his wife – andy garcia – panties – would be like taking out the hankerchief from Othello
- au revoir les enphants
-
peter green – fleetwood mac
- questions – first guitar – “its really a question of when you listen to something do you listen to the words or the music first”
- figgis’ favorites
- Komar and Melamid – Denis Dutton
- disturbed by the lack of vital elements in our culture – in combination /
- Billie Holiday – Lester Young
- “art is art. everything else is everything else.”
- english / european / assumptions of art / culture
- developing a sense of ‘the responsibility of art’
- without appealing to a concept of the ‘the great unwashed’
- the english as good storytellers
- django rheinhardt
- playing slowly as a billie holiday
- david lynch interview
- i think every body can do it – some people just take a long time
- marilyn munroe would exaust her felow actors
- michale bey – fires one person a day
- culture of ‘no’ in hollywood – paranoia – hollywood is syncing
- studios as old churches
- using techniques of mainstream cinema to inform arthouse techniques
- burt reynolds!
a showing of Timecode 11
badiou – 2010 aug 20
August 20, 2010 – 6:40 pm
- Wagner
- Everything that exists obeys the immediate paradigm of existence
- The real of suffering
- Musical predetermination – suffering is a result / suffering is not true but useful
- Nagative dialectics – the only kind of artistic form capable of surviving – will be the form that organizes its own dissentegration
- The totalitarian fantasy of ‘high art’ -
- Wagner can be credited with creating a “as such”
- Tanhauser
figgis – 2010 aug 20
August 20, 2010 – 10:13 am
mike figgis’ history
- music training – free jazz group + performance art troupe
- the london arts lab
- conflict between the improv music and the performance art troupe (they couldn’t be heard)
- polish avante guarde art
-
The People Show (current)
- Mexican performance artist – mexican visual tradition – day of the dead – licking sugar
- Mark Long – son of hardcore east german communists
-
Laura
- slickness – stopping when it was done – “the painting is finished”
- “structured tape” – process, tactile contact with the material
- ghent
-
learning the discipline
- lighting sound, music/text balance,
- as difference to the british theatre tradition
- film school interview story:
- the relationship between performance art and film – drama
- Lord David Putnam – if you don’t get into
- Sir Oswald Morris -
- made a film because he was “pissed off”
- next phase of performance work – film integrated into performance work – Mike on stage and Mike on the screen
- the live and the dead
- fascination with people who actually are dead – relationship between the animation of the film perspective
- first work:
- micry – performance art venue – amsterdam
- robert wilson
- wooster group
- experimental japanese work
- micry – performance art venue – amsterdam
- channel 4 – back to britain
- greenaway – The Draughtsman’s Contract (1982)
- stromy monday
- internal affairs – was a hit, offered $1,000,000 for the next film
- “its not the film you’re making now – it’s the film you might make next” – metavoy
- the unofficial system of LA film world community
- if you don’t buy a house there – you are treated with suspicion
- ridley scott – physical visual commitment – the community aspect of
- i would never join a club that would have me as a member
- bergman visiting los angeles – barbarah streisand threw him a party that he didn’t show up – went back to sweden
-
leaving las vegas
- novel that given to mike by a gallerist (nice guy)
-
miss julie
- based on the play by
- takes place in a kitchen – soft light
- shot on two cameras – one by mike and one by DP
- started to synchronized
- timecode
- digital video allowed the filming of an entire feature film
- john caley – knew charlie parker
- transmitting the thought of the piece – folding A4 to get the quadrants
- like a string quartet – absolute parallel syncronicity
- expanded metaphor here – moving from one camera to the other like a theme in music
- physical weight of cameras – large digital cameras
- godard quote of griffiths – “all you need is a girl and a gun”
- new wave drifting off jean paul delmondo
- the fourth way – G.I. Gurdjieff
- in each language words come into play which enrich the emotional language (inuit words for snow)
- the disappearance of words means the possibility of the disappearance of certain kinds of emotions
- Miss Julie & August Strindberg (no real interest in dramatic tension – just interested in words)
- Meetings with Remarkable Men
- catherine mansfield
- stevie wonder
- to relax he went to the movies – the sensuality of the movies
-
cartier bresson
- physicality of the camera – the lack of boom mics in Timecode – pistol mics -
- getting close to the person in order to hear the person
- robert maplethorpe’s photos are of people reacting to robert maplethorpe
- use of the Leica in bresson… zoom requires getting closer to the person
- 3D – panasonic 3d camera
- paintings’ reaction to photography was to break out of representation (20th century painting -
- theater is about death -
- don mccullin – dark photographic was imagery – if they weren’t so dark you wouldn’t know
- stephen fry – having critics fess up to the music and films that they actually liked
Timecode
- Discussions of timing
- Acting to music / music to acting
- Film started gently – i.e.: as in music – there is a first theme established of the
- Specific deconstruction of the first verion of Timecode
- The potentiality of synchronicities and serendipities of the different cameras
- “The most important tool for a composer is the eraser” – Schoenberg
schmidt – 2010 aug 19
August 19, 2010 – 9:38 am
acoustic arts
- john zorn
- fantasmagoria – collage
- collages – challenges
- dj spooky – journey
- telepological present – phonograph writing sound
- mnemonic construction of a power space
- john oswald
- plunderphonics
-
bob ostertag – death
- about a boy who’s father that’s dead
- there’s just the grave and the shovel
- there is beauty in what is really there – the boy the shovel the fly
-
effects of repetition
- trivialize, translate, amplified
- state of things – wim wenders
specific translation of a visual topic or sound into a visual language
helmholt wolfgang schirmacher – 2010 aug 18
August 18, 2010 – 6:42 pm
June First Group:
- Kittler, Speck, Lovink, Manovich, Hardt, von Trotta
June Second Group
- Vitanza: Lyotard, Diane Davis: Derrida, Nancy, Zupancic, Schirmacher, filmaker
August First Year First Group:
- Lotringer (Semiotexte): Baudrillard/Foucault, Pierre Alferi, Chris Fynsk, Michael Schmidt / Heiner Goebeels, Manuel DeLanda, Peter Greenaway
August First Year Second Group:
- Hubertus_von_Amelunxent (Barthes, Benjamin), Volker Schloendorff, Larry Rickels + artist, Balzo + poet, Werner Hamacher, Michel Serres
August Second Year First Group:
- Daren Aronofsky, Max Weber, Avital Ronell, Badiou, Slavoj Zizek, Wolfgang Schirmacher,
August Second Year Second Group:
- Elia Suleiman, Martin Hielscher + writer/poet, Judith Butler, Giorgio agamben, Noodleman, Souleman
Paul Virillo – Luce Irigary:
- Friday – Saturday: April 1-2 La Rochelle France
- Monday – Tuesday: April 3-4
schmidt – 2010 aug 18
August 18, 2010 – 8:15 am
sound visualisation
-
structural approach to representing sound
-
1933 – Circles
-
objective translations of sound to image (in an abstract ‘language’)
- greenaway – micheal nyman
- greenaway – cage – opening sequence – four american composers
music for film
-
adorno – hans eisler
- film music project
- princeton radio research project
- 14 ways to describe rain
- autonomy of music and film
- antempts to
-
the mountain war project – lopez
- mountain performances – communicating by
- austria and italy – first world war
film for music
-
Zbigniew RybczyĆski
- Zbig Vision
- intermedialization – amplifying musical structures
- The Orchestra (1990)
- Diagetic
- Oliver Hermann – The Rites of Spring
- 3 people – personal sacrifice
- st. aria ceremony
- Stravinsky
- Peter Sellers – Opera
- Operation Orfeo
- Syncresis
- Semiconductor
- Trapped in the Closet
- discussion
- when film ‘works’ in music or music ‘works’ in film – are these moments of syncresis
- Schubert – Winterreise – Theatricized production












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